Tag: Speed Museum

In FoodPort’s sudden failure, a rare defeat for Louisville’s blue-chip philanthropists: the Brown family

FoodPort rendering 600
An aerial rendering of 24-acre site at 30th Street and Muhammad Ali Boulevard.

By Jim Hopkins
Boulevard Publisher

For the past two years, developers of the West Louisville FoodPort worked mightily to bring urban farming and as many as 250 good jobs to the heart of a neighborhood yearning for a better future. Mayor Greg Fischer said the project would “change the look and feel of Russell forever.” Their ambitious, $35 million plan was going so well, one of the world’s foremost advocates of organic food paid a headline-grabbing visit last year: Prince Charles, heir to the British throne.

Stephen Reily
Reily

But yesterday, the entire enterprise collapsed when the non-profit developers, Seed Capital Kentucky, abruptly announced they’d lost a linchpin partner, and without enough time to find a replacement. “We don’t have a way to put it together,” Seed Capital co-founder Stephen Reily said. “We are deeply disappointed.”

Many, many other people were disappointed as well: the mayor, who’d pushed the project as a centerpiece for revitalizing the Russell neighborhood, only to see it steadily scaled back amid community infighting; some 150 residents who helped shepherd the project past months of political hurdles, and the Russell councilwoman, Cheri Bryant Hamilton, “heartbroken” last night over its failure, The Courier-Journal said.

But less publicized was the distress almost certainly felt by a high-profile Louisville family who had invested heavily in its development: the Browns, founders of the spirits giant Brown-Forman. It was an unusual defeat for a family that’s often in the vanguard of high-profile causes ending in resounding success.

Christy Brown
Brown

The Browns were there at critical junctures for the FoodPort, including last year’s goodwill tour by Prince Charles and his wife Camilla, the Duchess of Cornwall. In a speech at the Cathedral of the Assumption on that overcast Friday in March, the CJ reported at the time, “the prince credited his visit to the persuasive powers of Louisville philanthropist Christina Lee Brown, matriarch of the family that controls Brown-Forman.”

Indeed, in 0ne photo with the newspaper’s online story, the unidentified woman in an orange coat and strands of pearls, beaming in the royal couple’s wake during one of their walkabouts, is Christina, known to many in Louisville as Christy.

Augusta Brown Holland
Holland

As one of the city’s best-known philanthropists, she and her immediate family have formed the core of the extended Brown family’s support of Seed Capital. Her daughter, Augusta Brown Holland, an urban planner and investor, is one of the non-profit’s six board members. Another daughter, Brooke Brown Barzun, has a more direct line to Buckingham Palace: Her husband, Matthew Barzun, is U.S. Ambassador to the United Kingdom.

A tale of IRS tax returns

The Browns donate multimillions of dollars annually to charities from coast to coast, although especially in Louisville. But they don’t often seek attention for their contributions.

Prince and Christina 300
On the CJ: Camilla, Christy and Charles.

In fact, Seed Capital only hints at the family’s hefty financial support,
on a difficult-to-find page of its website with a barebones alphabetical roster of “funders.” Of the 16 names listed, six are Brown family members or their personal charitable foundations. A seventh is the source of their $6 billion fortune: Brown-Forman, the nearly 150-year-old producer of Jack Daniel’s and other well-known brands. And an eighth, the Community Foundation of Louisville, is home to at least 10 individual Brown donor-advised funds.

Brown family foundation public IRS tax returns fill in details. In 2012-2015, six of the foundations donated a combined Continue reading “In FoodPort’s sudden failure, a rare defeat for Louisville’s blue-chip philanthropists: the Brown family”

In films this weekend at the Speed, Herzog asks: ‘Have the monks stopped meditating? They all seem to be tweeting’

In this year’s “Lo and Behold,” The Oscar-nominated documentary filmmaker Werner Herzog “dissects the virtual world from its beginnings to its speculative future possibilities,” according to the Speed Museum Cinema. “Always asking provocative questions, Herzog investigates the ways the online world has transformed virtually every aspect of the way contemporary life is conducted — from business to education, space travel to healthcare and to how we as humans interact with each other.”

98 minutes. Rated PG-13. A selection of the 2016 Sundance Film Festival; BAM Cinefest and 2016 AFI Docs. Watch the trailer:

Tickets: $9, adults (non-Speed members); $7 members. Click on a showtime below for more details and to buy tickets.

About the cinema

Speed Art Museum logoThe 142-seat theater is part of the newly renovated museum’s expansion. It’s equipped with state-of-the-art technology, including 16-mm, 35-mm and DCI-compliant 4K digital projection systems.

Now at the Speed Cinema: ‘The Seer: A portrait of Wendell Berry’

From the Speed’s website: “Traversing four seasons of the farming cycle in Henry County, Ky., this documentary illustrates Wendell Berry’s agrarian philosophy. Berry moved back to the Henry County rural community in 1965, where he settled into a life of farming, writing, and teaching, with the relationship of the individual to land and community being central to his work. Within one generation, the balance between these core issues has been tested by the commercialization of agriculture.” Here’s a clip:

Directed by Laura Dunn. Co-producers: Gill Holland of Louisville; Nick Offerman of “Parks and Recreation”; and Owsley Brown III, a documentary filmmaker in San Francisco.

Tickets: $7 for members; $9 for non-members. Show times, with links to buy tickets:

* director Dunn will be there in person.

 

About the cinema

Speed Art Museum logoThe 142-seat theater is part of the newly renovated museum’s expansion. It’s equipped with state-of-the-art technology, including 16-mm, 35-mm and DCI-compliant 4K digital projection systems.

At the Speed Cinema next weekend: ‘Our Last Tango’

The life and love story of Argentina’s most famous tango dancers María Nieves Rego, 80, and Juan Carlos Copes, 83, is revealed in this documentary/performance hybrid, according to the Speed’s event description. While telling their life stories to a group of young tango dancers and choreographers from Buenos Aires, María and Juan’s early lives are interpreted by the dancers.

2015. Directed by German Kral. Germany/Argentina, DCP, in Spanish with English subtitles, 85 minutes.

Tickets: $7 for members; $9 for non-members. Please click on a showtime below to buy them:

Live tango after the movie

Following the screenings, members of the Louisville Argentine Tango Society will share their love of the dance with a milonga, an Argentine Tango social dance, in which audience members can watch or join in dancing in the Speed Cinema lobby.

About the cinema

Speed Art Museum logoThe 142-seat theater is part of the newly renovated museum’s expansion. It’s equipped with state-of-the-art technology, including 16-mm, 35-mm and DCI-compliant 4K digital projection systems.

Speed unveils van Eyck’s ‘Virgin and Child’ from the Frick

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On loan: “Virgin and Child, with Saints and Donor,” about 1441-43.

Jan van Eyck  (c. 1390 to July 9, 1441) was one of the first artists to master oil paint. His skill rendering light effects and highlights made him internationally famous, according to The Courier-Journal.

“Virgin and Child with Saints and Donor” is being show in Kentucky for the first time. It’s on loan to the Speed for what amounts to a swap with the Frick Collection of New York. The Speed recently loaned Anthony van Dyck’s “Portrait of a Woman” to the Frick for a special exhibit on the artist. In return, the Frick is sharing its van Eyck painting with the Louisville museum.

The Frick acquired the painting in 1954; here’s how the museum describes it: The Virgin, holding the Child, stands in majesty on an Oriental carpet, enframed by a sumptuous brocade canopy and hanging inscribed AVE GRA[TIA] PLE[N]A (Hail [Mary] full of grace). She is attended by St. Barbara, with her attribute of the tower in which she was imprisoned rising behind her, St. Elizabeth of Hungary, who gave up her crown to become a nun, and a kneeling Carthusian monk.

About the Speed

The museum is open Continue reading “Speed unveils van Eyck’s ‘Virgin and Child’ from the Frick”

At the Speed this weekend: Sundance Festival short film tour; here’s the program

The tour’s eight films are being screened at the new Speed Museum Cinema.

Each year, Sundance receives more than 8,000 short film submissions, selecting 60 to 80 to screen during the January festival, with eight picked for the tour traveling to more than 50 cities nationwide. This is one of very few theatrical releases of short films in America. Recommended for audiences over 13 due to thematic elements.

Tickets: $7 for members, $9 for non-members. Buy tickets here. Here’s the lineup: Continue reading “At the Speed this weekend: Sundance Festival short film tour; here’s the program”